but there are still few that have confirmed the exact release date.
A versatile and high-quality program that looks forward to finding answers during the summer, on the eve of a grim contrast: it is very promising because the new exchange rate balance encourages domestic tourism. But it is also true that inflation and falling purchasing power leave a lot of potential passengers without leave or in a limited way, for a few days, and with much caution during spending.
That is why some options and suggestions are already being sought that try to bring the tickets to the family budget. For example, the values that are paid (and still paid) for this year's capital, and even innovative promotions, such as some exceptional discounts for children under 17 years of age. In addition, there are plenty of tourist shows.
Over 40 bonus periods, a fine analyst in the industry, and above all innovative, most difficult track areas, Carlos Rottemberg, a theater entrusted to the Buenos Aires legislator, will be one of the best men in the world to qualify for each season's qualifying. To whom it comes, it is defined as "counterflow". "Any commercial action between consumer demand is counterbalancing the expectations of the dollar in larger national travel flows," he explains. The former was called "meloma" because of the support of the Buenos Aires government, 2016/17 was "cautious" and the previous "delayed" due to delays that marked the change of national and provincial government.
Its theaters have a wealth of the best with the Marplatense billboard and most of the most applauded, which Buenos Aires desks throughout this year. Room programming is packed with news and gestures to achieve the best results. For photographs, producers and viewers.
sugar, where Laurita Fernández arrives in Neptune, an expensive environment that forces a small Bristol room to sacrifice so that it serves as a support tool and because there is a risk of silent leakage of successful music comedies. The Lidon, which completes this Santa Fe almost the San Martin complex, is expected to further strengthen the second title.
jets go to the America's leadership model, made in Rottemberg, that producers and consumers will accept without hesitation. With a brilliant and visual profile for enjoying with the family, this comedy fetches adults and children with an entrance fee of 600 pesos (the previous season and 25 percent less than this winter in the capital) and 200 minors, including young people under 17. "In this way, the four-member family would go to the age of 1600 and without the obligation to go to the parents, two 16-year-old children can go to the theater for 400 pesos," he says.
Another special feature is the agreement with producer Gustavo Yankelevich
sugar. "We are collecting the risk, and the theater does not have a percentage, and it has to pay the costs," confirms Rottemberg's purely trust. They only receive revenue if all the expenses are covered so as to form a common fund that distributes profits equally. Then all the chips and possible earnings are stored very well in the box office, which in addition depend on the set values. Of the 950 pesos paid for the same work in Buenos Aires, it goes from 700 to 900.
"We are looking for the best price," recommends and claims Rottemberg, convinced that the industry is a middle-class, most important theatrical client. As percentages, it is understandable that it should be adjusted by percentages that are closer to parity agreements than to the extreme end of inflation.
Atlas room has brightness and feathers
Once again, which means reuniting Santiago Ball and Carmen Barbier, now with her son Federico as a partner and director. It's a profile of the magazine, the kind that the family knows perfectly.
And on the stage at the Mar del Plata Theater you can see the music version
Crazy cage, Harvey Fierstein and Jerry Herman, featuring Raul Lavié, Nito Artaza and Cecilia Milone. The premiere is December 21.
Another complex that closed the net and has a strong focus on theatrical performance is RadioCity / Roxy / Melany, which belongs to Lino Patalano, and which is a major investment throughout the year. This summer, she has secured five Les Luthiers performances
Great reservation, his last job. Also in its main room are the performances by Lali Espósito, Jorge Rojas, The Beats and local artists.
Now, Roxy Comedy, the underground room will be such a class that won so many reasons that it became its own stage: stand-up. Roberto Moldavsky launches his actor in space with Sebastian Wainraich, Dalia Gutmann, Sanatan, Juampi González, Magalí Tajesi, La Faraona, Martín Cirion, Nicolas de Tracy, Pablo Angel, Pablo Molinar, Señorita Bimbon, Lailan and Gonzo, Radagast, The Unmamable, La Cheppi and Caripa. Conferences and presentations by Alejandro Dolina and the philosopher Darío Stystras are also held on the days of Pilar Sordo. The small Melany room comes in "a la cap", including the artists of Mar del Platan.
Provincial, recovered room, arrives with José María Muscari
right, work already on the route, Cristina Alberó, Luisa Albinoni, Katja Alemann, Paula Morales, Edda Diaz and cast; and
The enemy of the people, Ibsen, Juan Leyrado and Raúl Rizzo, directed by Lisandro Fiks.
In the famous Rivadavia Street, the Emporium, the audience of the audience, the Olympia Theater again marks the genre of the critic since December 20, with the proposal of Omar Suárez and his guests. The next step in the Corrientes room will also return to the ring after a few years and share the headlines
Hansel and Gretel and Sergio Gonal's unipersonal. In front of Torreón del Monje, at the Tronador concert, the week is divided into Marcelo Polino and Nacha Guevara and Jay Mammon's shows with sexologist Alejandra Rampo.
More likely values, the provincial government support product, Auditórium complexity has so far programmed four strong theatrical nomenclatures. Piazzolla's room returns
Combustion, where Luciano Cáceres led the cast; and will be released
40 days and 40 nights, Juana Viale, Leonor Manso, Pablo Alarcón and Joaquín Berthold. It also appears there
slaughterhouse, fine work by French director Redha Bentafour with Peter Lanzani and Germán Cabanas. Payro's room was programmed
Tuesday orchids, a classic that brings Mario Pasik, Rita Terranova, Felipe Colombo, Candela Veltrano and cast; Betty Gambartes and Bernardo Carey's Musical
Manzi, life in Orgy, Alcira Davín, Darío Landi and Carlos Vega; and
I came to go, With Gabriel Chamé Buendían.
As in previous years, the provincial government participates in the Acercarte cycle exhibitions. In the auditorium, it controls the theater on Tuesdays, but the net is still undefined and the introductory pieces return to Parque Camet on days that do not affect theatrical provision. Angela Torres opens and on the following days: Soledad, Dread Mar I, Lali Espósito, Kapanga and Patricia Sosa, outdoor and free access.